Review: “The Forgotten”
Essentially an "X-Files" episode but with determined single parents instead of mismatched FBI agents in the lead roles, "The Forgotten" starts out as an...
Review: “Double Jeopardy”
As a TV movie this would be a very enjoyable way to spend an evening. As a feature film however, "Double Jeopardy" falls into...
Review: “A Dirty Shame”
A somewhat return to form, 'Shame' steers John Waters back toward the dirty-minded territory he so trademarkedly mined back in his early days. Still...
Seann William Scott for “Southland Tales”
"Southland Tales" is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink...
Seann William Scott for “Southland Tales” (On-Set)
"Southland Tales" is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink...
Karl Urban for “Doom”
Karl Urban looks like hell. He just finished shooting--literally shooting guns--and his face is caked with bloody makeup. It's the last day of principal...
Review: “Flightplan”
The high-concept enclosed space thriller gets another go around in "Flightplan", a film which starts off as an enjoyable contemporary remake of Alfred Hitchcock's...
Review: “A History of Violence”
When one thinks of the name David Cronenberg, the term normal doesn't exactly come to mind. From "Dead Ringers" and "Videodrome" through to "Naked...
Ben Kingsley for “Oliver Twist”
Sir Ben Kingsley has played his share of iconic characters and never repeats himself, constantly hiding behind some extraordinary characters. But none so unique...
Richard Kelly for “Southland Tales”
"Southland Tales" is an ensemble piece set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink...
Review: “Showgirls”
There's a big difference between awful movies and trash. Awful movies like "The Master of Disguise" or pretty much any release in January are...
Charlize Theron for “North Country”
Tall, elegant, wearing a grey shrug that covers her blouse, the beautiful Charlize Theron is an Oscar winner, who has managed to shake off...
Review: “The Four Feathers”
The latest adaptation of the AEW Mason tale is grand epic piece designed and directed purely in the mould that once used to win...
Review: “Spirited Away”
Arguably the most epic animated fantasy tale since "The Lion King" way back in 1994, "Spirited Away" is the latest work from master animator...
Review: “Underworld”
The most remarkable thing about this gothically dark supernatural flick is something most people won't realise. At a time when film budgets are...
Review: “Cold Creek Manor”
After wallowing in the edgy but hard to notice realm of independent film for a few years, "Leaving Las Vegas" Director Mike Figgis returns...
Review: “Wimbledon”
Aiming for a few nice volleys rather than a lob out of the court, "Wimbledon" is a cliched ridden British rom com which whilst...
Liev Schreiber for “Everything is Illuminated”
Liev Schreiber is a Tony award winner and one of America's moat gifted actors. Displaying the kind of off-kilter charm that makes him a...
Review: “Cry Wolf”
Smarter and cleaner than expected, "Cry Wolf" plays much like 1998's "Urban Legend" - a psychological thriller masquerading as a teen slasher flick. Lacking...
Jodie Foster for “Flightplan”
Smartly dressed in a pants suit, hair cropped short, Jodie Foster was all smiles as she sat down in a Toronto hotel room to...
Johnny Depp for “The Corpse Bride”
Sporting a tanned hat and thin beard, Johnny Depp was in the thick of Toronto's annual film festival happy to talk about his participation...
Ice Cube for “Barbershop”
Rapper Ice Cube shows us his gentler, comedic side in the fresh, new ensemble comedy "Barbershop". Cube is not exactly renowned as a...
Helena Bonham Carter for “The Corpse Bride”
Helena Bonham Carter is not exactly visible at the moment, yet she's at the Toronto Film Festival with not one, but two films: Tim...
Review: “Stealing Harvard”
A while back Tom Green was hailed as a comedy genius and his work in "Road Trip" drew pretty good reaction. Then came...
Review: “Once Upon a Time in Mexico”
I came into 'Mexico' as a newcomer, having never seen either "El Mariachi" or "Desperado" but familiar with all of Robert Rodriguez other work...
Review: “Matchstick Men”
When he's good, Ridley Scott can change filmgoing forever (eg. "Alien", "Blade Runner", "Gladiator"). When he's bad, he's just extremely mediocre (eg. "1492", "G.I....
Review: “Cabin Fever”
Already touted as the next big revolution in the genre, this indie horror flick sadly does not live up to that reputation. As a...
Review: “Stigmata”
This attempt to create a 90's version of "The Omen" results in a rather dull religious thriller saved only by a few factors. Patricia...
Review: “The Man”
A tired example of package deal movie making, much of the all too stretched 79 minute runtime of this comedy is spent mulling over...
When Do My TV Shows Begin Again?
With the exception of last week's early out of the gate "Prison Break" on Fox, tonight is officially the beginning of the new television...