Review: “Serving Sara”
How bad or how decent a Matthew Perry comedy can be is usually determined by the quality of the co-stars. You've had your...
Wes Craven for “Red Eye”
Wes Craven has been making people jump out of their skins for some three decades, with classics such as "The Hills Have Eyes" and...
Review: “Red Eye”
Taking a break from the horror movies that have buttered his bread for three decades now, Wes Craven's second attempt to escape the genre...
Review: “The Cell”
In the last few months films seem to have become so formulaic they're basically interchangeable, which is why "The Cell" is certainly a highlight...
Steve Carell for “The 40 Year-Old Virgin”
Steve Carell cannot believe how lucky he has become in so short amount of time. Unless you are a devotee of TV's Comedy Central,...
Reese Witherspoon for “Just Like Heaven”
Reese Witherspoon is like a princess sitting atop of her throne peering across at the vast sea of journalists before her. an actress of...
Rachel McAdams for “Red Eye”
Rachel McAdams is quietly and cheerfully philosophical when it comes to talking about her impending fame. Now that her recent Wedding Crashers is a...
Review: “Blue Crush”
As a critic quite often one gets an inkling as to how good/bad a film will be depending upon basic things such as its...
Terry Gilliam for “The Brothers Grimm”
Terry Gilliam is one of Hollywood's most unique visionaries, who began as an animator working with the Monty Python troupe, before embarking as one...
Review: “Freddy vs. Jason”
Neither scary nor funny as many of the other film's entries have been, 'Freddy' relies more on a stylish look and quite brutal gore...
Review: “Head On”
You've probably guessed by now that I go to the movies to be entertained. Sure I like the thought-provoking independent stuff and I prefer...
Review: “The Skeleton Key”
What could be written off as yet another entry in the already too overstocked PG-13 supernatural thriller genre turns out to be an atmospheric...
Review: “Four Brothers”
After mainstreaming himself out with the likes of the fun "Shaft" and the woeful "2 Fast 2 Furious", John Singleton tries to return to...
Cillian Murphy for “Red Eye”
Cillian Murphy's brooding presence suggests an actor who would clearly prefer to be anywhere else but a press junket. Sitting back from his chair,...
Heath Ledger for “The Brothers Grimm”
Heath Ledger, with hair shorn off, retains a quiet reticence when dealing with the press. The Australian actor, based in Los Angeles for almost...
Rob Schneider for “Deuce Bigalow: European Gigolo”
Rob Schneider is cheerfully unapologetic when it comes to discussing his latest cinematic foray into the comically extreme. the comic Saturday Night Live alumni...
Evan Rachel Wood for “Pretty Persuasion”
At a mere 17, Evan Rachel Wood has established herself as one of Hollywood's most versatile and diverse young new stars, not to mention...
James Franco for “The Great Raid”
James Franco has emerged as one of Hollywood's most interesting performers since breaking out in The James Dean Story. From character roles as in...
Eddie Griffin for “Deuce Bigalow: European Gigolo”
Eddie Griffin thrives on his outrageousness, and with an audience, even the press, he doesn't disappoint, as Garth Franklin discovered when he tried talking...
Review: “Session 9”
There's quite a bit to admire about "Session 9". The idea of asbestos workers in an abandoned mental asylum is excellent and simple, the...
Benjamin Bratt for “The Great Raid”
Benjamin Bratt is relieved that his World War 2 drama, The Great Raid, is finally getting the theatrical release it deserves. "I'm so proud...
John Hurt for “The Skeleton Key”
It seems on the surface at least, that John Hurt hasn't been working of late, but that's a myth of course. As we chat...
Review: “XXX”
Right from its opening sequence involving the fate of a tuxedo-clad secret agent, this Bruckheimer-esque actioneer both savagely attacks and ironically relies heavily on...
Review: “Blood Work”
After pretty much cornering the market in recent years with engaging slow-burning suspense dramas like "True Crime" and "Absolute Power", Eastwood's quickly growing credo...
Kate Hudson for “The Skeleton Key”
Kate Hudson was all smiles when we met at a New Orleans hotel room. Her off screen demeanour is in sharp contrast to her...
Review: “The Deep End”
A great deal of films, whether it be low or big budget, are designed to revolve around one person. You can have the best...
Review: “S.W.A.T.”
During the promos for this cop actioneer came the credit - "From the Producer of 'xXx' & 'Fast & The Furious'", a tag which...
Review: “Freaky Friday”
You know for a concept as well-worn as the old 'body switching' trick, it still works surprisingly well to this day. 1977's "Freak Friday"...
Review: “Spy Kids 2: Island of Lost Dreams”
The first "Spy Kids" was a light and shallow but very impressive looking family-friendly piece with a sense of wild adventure and comical fun....
Review: “Osmosis Jones”
"Osmosis Jones" is a rather curious film - on the one hand its aimed at appealing to family audiences, on the other there's some...