Sarah Silverman for “Sarah Silverman: Jesus is Magic”

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Sarah Silverman sits outside the patio of Toronto's Intercontinental Hotel, the proverbial queen bee, holding court while at the Festival promoting her wildly irreverent...

Review: “How the Grinch Stole Christmas”

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Don't be surprised if this live-action version of "The Grinch" sweeps a whole lot of the technical award nominations at the Oscars next year....

Mark Wheaton for “The Messengers”

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He was one of our fellow journos, a friend and a long time member of LA's online junket group. But Mark Wheaton had bigger...

Review: “Love Actually”

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If one country shines above the rest in the field of television comedy its the Brits. Never hounded by the sitcom formula or network...

Review: “Crackerjack”

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A delightful old-fashioned Aussie comedy, "Crackerjack" takes a difficult subject - that of lawn bowls, and turns out a surprisingly consistent number of laughs...

Joaquin Phoenix for “Walk the Line”

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One can tell that the last thing Joaquin Phoenix wants to do is talk to the press. Not one to suffer fools gladly, the...

Review: “The Siege”

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One of the more surprising and intelligent films of the season is Edward Zwick's "The Siege". This film is a taught political thriller which...

Review: “Red Planet”

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Call me nuts but I'm a sucker for action blockbusters with frantic pace. As long as the action comes thick, fast and with some...

Review: “Femme Fatale”

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Overblown and overdone, "Femme Fatale" is Brian DePalma's muddled attempt at a Hitchcock thriller and one which never really works. The narrative is more...

Review: “The Matrix Revolutions”

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The first Matrix may have been cliched but it took those old elements and reawoke them in a superb flick driven by an inherently...

Review: “The Insider”

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Despite having no action scenes, a 2.5 hour running time, and based around the tired subject of tobacco, "The Insider" manages to be one...

Zach Braff for “Chicken Little”

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Zach Braff may be on an acclaimed TV sitcom and critically lauded movie director, but even stars still audition if it is just for...

Review: “Jarhead”

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War movies ranging from "Tigerland" and "Full Metal Jacket", to "Platoon" and "Apocalypse Now", all usually examine a multitude of issues built around the...

Review: “Chicken Little”

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When the computer animated family comedy genre hit it big, along came the inevitable result - what was once an almost guaranteed format has...

Review: “Charlie’s Angels”

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One of my favourite genres of films is 'trash cinema', the kind of movie which you know is bad technically (ie. weak acting, poor...

Peter Sarsgaard for “Jarhead”

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It's quite the year for Peter Sarsgaard, as he continues to define himself in both the Indie and mainstream worlds of Hollywood. Also starring...

Jamie Foxx for “Jarhead”

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Jamie Foxx may be an Oscar winner but the actor still knows how to play the crowd. As he meets the media promoting his...

Review: “The One”

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Direct-to-video trash, "The One" is one of those high-concept projects which in two-sentence form on paper sounded great but in reality is a stinker....

Review: “Shallow Hal”

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There's something about Hal which is kind of sweet, but troubling. The Farrelly Bros. have created a comedy which, when you consider their previous...

Review: “Domestic Disturbance”

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Short of Travolta's involvement there's nothing in this that separates it from a bad Hallmark TV movie of the week, indeed one wonders where...

Jim Sheridan for “Get Rich or Die Tryin'”

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Irish director Jim Sheridan, who won plaudits for his lyrical tale of Irish immigration on his In America, has made a film that is...

Review: “The Santa Clause 2”

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Overblown like most family film sequels, the second "Santa Clause" film tries to do too many things all at once and never truly succeeds...

Review: “Punch Drunk Love”

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One of the most eccentric romantic comedies you're ever likely to see, "Punch Drunk Love" does for Adam Sandler what "The Truman Show" did...

Review: “I, Spy”

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Every time you think Hollywood has finally got it figured out and is about to make a decent film again, along comes something like...

Jake Gyllenhaal for “Jarhead”

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It's quite the understatement that this is the year for Jake Gyllenhaal. Playing an idealistic and bored marine in the true story of Jarhead,...

Review: “The Man Who Wasn’t There”

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The Coens have made their names on making two very different styles of films - on the one hand there's the darkly comic dramas...

Review: “Shattered Glass”

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A deftly compelling cautionary tale about modern day journalism gone wrong, 'Glass' is a meticulously constructed slow burn drama whose strength lies in not...

Antonio Banderas for “The Legend of Zorro”

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Banderas is back and he's having a wow of a time as the classic Zorro character in the long awaited Martin Campbell-directed sequel. About...

Review: “Saw”

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Serial killer films are a tired genre. This year has seen a glut of stinkers with the likes of "Twisted", "Taking Lives" and "Suspect...

Review: “House on Haunted Hill”

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Despite some lavish settings and great cinematography, "House on Haunted Hill" is a quite dull horror movie full of cheese and fake scares, but...