Timothy Olyphant for “Catch and Release”
Timothy Olyphant may be best known as Seth Bullock in the acclaimed, but now cancelled, TV series "Deadwood", but the young actor is already...
Sophia Myles for “Tristan and Isolde”
Looking like a young Kate Winslet, Sophia Myles is Britain's latest starlet finding her way in Hollywood and doing nicely, from the romantic tragedy...
Queen Latifah for “Last Holiday”
Queen Latifah fans have been waiting for the perfect starring vehicle for the brazen comic actress and may have found it in "Last Holiday,"...
LL Cool J for “Last Holiday”
He's a hip hop superstar and an actor trying to shake off his gregarious persona starring opposite the vivacious Queen Latifah in Last Holiday....
James Franco for “Tristan and Isolde”
James Franco is an unlikely Hollywood star, refusing to be typecast and happily going from blockbusters such as Spider-Man 3, to more low-key cinematic...
Anthony Hopkins for “The World’s Fastest Indian”
It's rare to find Anthony Hopkins in a good mood. A reluctant star, the Welsh Oscar winner is relaxed, in a Toronto hotel room,...
Justin Timberlake, Emile Hirsch, Ben Foster, Shawn Hatosy and Anton Yelchin for “Alpha Dog”
Inspired by true events, "Alpha Dog" follows three fateful days when the lives of a group of Southern California teens suddenly dead-ended. Johnny Truelove...
Lucy Liu for “Codename: The Cleaner”
Lucy Liu is a Hollywood actress who is more than happy to switch from the big studio movie to often miniscule Indie films, and...
Review: “Hostel”
If you can give Eli Roth credit for one thing, its that he's upfront about himself and his interests. A self-promoter to be sure,...
Review: “Bloodrayne”
If there's one thing you can give Uwe Boll credit for, is that he is improving. The cinematic equivalent of genocide that was "House...
Uwe Boll for “Bloodrayne”
With so many projects on his pending docket, Director Uwe Boll took time away from his busy schedule to answer a few questions with...
Review: “Shadow of the Vampire”
Whatever preconceptions you have about this movie, you're probably wrong. This is not a horror film nor a black comedy, rather its probably the...
Review: “Traffic”
Steven Soderbergh is just a master isn't he? After the truly superb drama that was "Erin Brockovich," one would've thought he'd sit back and...
Review: “The Hours”
"Go", "Rules of Attraction", "LOTR: The Two Towers" - all three movies have shown that one can pull of a film effectively with three...
Review: “Nicholas Nickleby”
The latest Charles Dickens novel to head to the big screen has all the lavish production values that one expects of a quality production,...
Review: “Confessions of a Dangerous Mind”
One of the more unusual biographical films you'll see, 'Confessions' marks an auspicious debut for George Clooney in the role of director - a...
Review: “Chicago”
After being stuck in years of development, "Chicago" finally arrives on the big screen and the result is spectacular. The modern stage version of...
Hugo Weaving for “V for Vendetta”
Hugo Weaving, sipping a cup of tea in a Toronto dining room in the midst of this year's Toronto Film Festival, insists that it...
Lasse Hallstrom for “Casanova”
Sweden's idiosyncratic director Lasse Hallström has made films that are delicate and subtle, but with his take on the classic Casanova legend, the director...
Nathan Lane for “The Producers”
Nathan Lane arrives to greet the press in New York's Regency Hotel, with a cool, almost annoyed expression on his face. Clearly someone who...
Review: “Gosford Park”
Robert Altman hasn't had much success as of late. After the brilliant double punch of Hollywood and mid-West satire with "The Player" and...
Review: “Thirteen Days”
Costner had brilliant luck in the past with Oliver Stone's unforgettable "JFK". Now he turns his attention to headline a project based on the...
Review: “The Talented Mr. Ripley”
On the surface, Anthony Minghella's flick seems merely like "Single White Female" with a gender-reversion and more exotic locales. Dig a little deeper though...
Review: “Peter Pan”
Even though the original tale hasn't been done as a live-action film before, do we really need another version of "Peter Pan" when we...
Review: “Paycheck”
A slick little piece of entertainment, "Paycheck" is a light on the brain enjoyable action vehicle which, whilst certainly no classic adaptation of a...
Review: “Kate and Leopold”
Call it a modern romantic fable if you like, while "Kate & Leopold" does indulge in some time travel it remains strictly in light...
Review: “Galaxy Quest”
If "Galaxy Quest" resembles any film its the recent superhero satire "Mystery Men", but thank god its ten times better than that flick and...
Review: “Darkness”
Several years old now, the Spanish-directed English horror flick tries playing itself as a leaner and meaner version of "The Others". A great cast...
Review: “Cold Mountain”
Already being touted as this year's biggest competitor to LOTR at the Oscars, "Cold Mountain" is one of the more successful arthouse films of...
Review: “Cheaper by the Dozen”
The trailers may have been awful and the final result is predictable and saccharine as hell, but the new family comedy from Steve Martin...