Reviews

Review: “Dance Flick”

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We're still miles away from the bellylaugh miracles of the golden "Airplane!" and "Naked Gun" era, but "Dance Flick" has an appealing concentration on...

Review: “Night at the Museum: Battle of the Smithsonian”

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This being the second go-around with the "Night at the Museum" franchise, it's clear to me that laughs shouldn't be the focal point of...

Review: “The Brothers Bloom”

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I walked out of "Brothers Bloom" feeling disconnected to everything that occurred onscreen, with the only possible exception being Weisz and her finely tuned...

Review: “Angels and Demons”

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Markedly improving on "The Da Vinci Code" in every way, the best and most cinematic of author Dan Brown's four potboilers gets an essentially...

Review: “Management”

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"Management" should come equipped with some type of safety restraint to best absorb the shock of all the uncomfortable tonal changes that continually derail...

Review: “Sin Nombre”

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A little over a year ago, the simplistic, heart-tugging immigration drama "Under the Same Moon" opened in theaters, pouring honey and tears over the...

Review: “The Girlfriend Experience”

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"The Girlfriend Experience" is a palate cleanser for director Steven Soderbergh, who embarks on one of these odd "personal" films every few years ("Bubble,"...

Review: “Next Day Air”

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Need proof marijuana kills brain cells? Catch "Next Day Air," a pot comedy trying to pass itself off as a Guy Ritchie/Quentin Tarantino multi-character...

Review: “Rudo Y Cursi”

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"Rudo" isn't a strikingly original creation, but the efforts of the cast make the stale script sing, assembling a motion picture that coasts along...

Review: “Star Trek”

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Successfully relaunching the long-declining franchise, rising director JJ Abrams delivers a less cerebral, more adrenalin-fueled take on the voyages of the USS Enterprise. In...

Review: “Ghosts of Girlfriends Past”

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"Ghosts of Girlfriends Past" is a Matthew McConaughey romantic comedy that would be better off without Matthew McConaughey. It's come to a point in...

Review: “X-Men Origins: Wolverine”

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Whether you deem it a prequel, a spin-off or a cost-effective fourth entry in the "X-Men" film franchise - the result either way is...

Review: “Is Anybody There?”

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With two direct and developed lead performances from Michael Caine and young Bill Milner, it seems unfair to watch their efforts wasted on an...

Review: “Earth”

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One side of me thinks a chance to sit down with Mother Nature and observe the majestic movement of life on our planet is...

Review: “Fighting”

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A few years back, writer/director Dito Montiel crafted "A Guide to Recognizing Your Saints." It was a flawed but beautifully impassioned picture that isolated...

Review: “The Informers”

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Author Bret Easton Ellis made a name for himself broadcasting the lurid '80's hobbies of the rich, affected, and occasionally homicidal in books such...

Review: “Obsessed”

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This is Beyonce's first non-singing starring vehicle, and she's chosen wisely. What better way to show some imposing box office muscle than to headline...

Review: “The Soloist”

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"The Soloist" strikes me as a very special film handicapped by unfortunate marketing. Dreamworks seems unfairly bound to promote the feature as a feel-good...

Review: “17 Again”

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Forget all about the age-reversing hocus-pocus that's going on during "17 Again." The real fantasy at play in this picture is the concept that...

Review: “Crank: High Voltage”

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Me? I loathed 2006's "Crank," finding the orgy of violence, film school reject camerawork, and hyperactive editing obscenely obnoxious. I didn't buy into the...

Review: “Dragonball Evolution”

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Before anyone contacts me to complain about my lack of "Dragonball" knowledge, let me clarify right off the bat: you're right. I'm not intimately...

Review: “Hannah Montana: The Movie”

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I'm almost ashamed to admit this, but I was expecting plenty more oomph from "Hannah Montana: The Movie." The Disney Channel show makes it...

Review: “Observe and Report”

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Acting as a counterpoint to the Judd Apatow brand of edgy-but-huggable comedy is Jody Hill. The director of "The Foot Fist Way" and the...

Review: “Lymelife”

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"Lymelife" is certainly an impassioned motion picture. However, it's not exactly a revolutionary one, guiding the viewer back into the cancerous heart of suburbia,...

Review: “Adventureland”

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I'm positive "Adventureland" had a breathtaking original screenplay. The finished product hints at the magnificence of a layered, nuanced piece of writing that captures...

Review: “Fast and Furious”

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Ultimately it is exactly what you expect - those who liked the last few will certainly like this one. Those who don't, won't. Those...

Review: “Gigantic”

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"Gigantic" is a motion picture of colossal quirk, exceptional passion, and befuddling execution. Writer/director Matt Aselton is endeavoring to craft a sincere feature on...

Review: “Sugar”

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Arriving with the upcoming baseball season is the drama "Sugar," a modest minor league recruitment story that profits from an exceptional perspective on the...

Review: “Knowing”

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An ambitious but ultimately flawed mess, "Knowing" finds its compelling premise, intriguing symbolism and proficient action sequences shackled by weak plotting and an ending...

Review: “The Great Buck Howard”

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While undoubtedly mild sauce compared to the more excitable distractions at the local cinema, "The Great Buck Howard" is nevertheless a charismatic dramedy that's...

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